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Picasso's
Les demoiselles d'Avignon of 1907 is the point of departure
for this series of three drawings which Cuevas created for
an OAS exhibit entitled Tribute to Picasso. In writing about
this work Jacquelyn Barnitz noted that Cuevas rejects the
formal convention of Picasso's early cubist distortion but
celebrates the subject of prostitutes in a style resembling
some of Picasso's preliminary sketches for painting.
The
seated figure in one of the drawings is a parody of Picasso's
squatting foreground figure in Les demoiselles. Two
of the figures wear harlequin hats like those seen in Picasso's
Blue period painting. Cuevas, as is frequently the case, includes
himself among the subjects he depicts.
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